The hell of the living is not something that will be: if there is one, it is what is already here, the hell where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the hell and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and learning: seek and be able to recognize who and what, in the midst of the hell, are not hell, then make them endure, give them space.

Italo Calvino, The invisible cities, 1972

<strong>The Wave</strong> 70 x 90 cm, tempera on paper + frame

<strong>The secret Walk of Life</strong> 70 x 90 cm, tempera on paper + frame<strong>The Pain of the Muse</strong> 70 x 90 cm, tempera on paper + frame

<strong>A Munich Conversation</strong> 70 x 90 cm, tempera on paper + frame

<strong>Syncro-System</strong> 70 x 90 cm, tempera on paper + frame

<strong>The Secret</strong> 70 x 90 cm, tempera on paper

<strong>Lutte</strong> 70 x 90 cm, tempera on paper + frame

<strong>Sunshine System Painting</strong> 70 x 90 cm, tempera on paper + frame

<strong>When it's raining</strong> 70 x 90 cm, tempera on paper + frame

<strong>Bird Woman 1</strong> 70 x 90 cm, tempera on paper + frame

<strong>The key to your Dirtbox</strong> 70 x 90 cm, tempera on paper

<strong>The Hell of the Living</strong> 60 x 60 cm, tempera on paper

<strong>Every which Way but Both</strong> 100 x 90 cm, tempera on paper + frame

<strong>When the Saints entered Jerusalem</strong> 70 x 90 cm, tempera on paper

<strong>Superman</strong> 80 x 105 cm, oil on canvas

<strong>The Riddle</strong> 50 x 30 cm, oil, pencil and ink on chipboard

<strong>Systems that bind; the floor</strong> 200 x 205 cm, oil on carpet and wood

<strong>Systems that bind; the garden</strong> 300 x 160 cm, oil on chipboard